The artist is a shaman, hacker, builder, destroyer, mystic, and seer—each one plays a role in shaping the collective psyche of our time.
Artists, in their relentless pursuit of meaning, often embody modern pantheons. Mythic personalities shaped by the forces of contemporary culture, history, and their own internal landscapes. The archetypes of ancient gods and legendary figures seep into our work. Not as overt iconography but as subconscious personas driving our creative practice.
Totems, Dragos and Kraken
Artists invoke the icons of Totems, Dragons, and the Kraken both physically and metaphorically. Totems anchoring identity and lineage, dragons embodying power and transformation, and the Kraken surfacing as a force of chaos, mystery, and the subconscious depths of creation.
Like old deities, artists cultivate their mythologies, wearing multiple masks as they navigate between creation and destruction, chaos and order. Some channel the fire of Prometheus, stealing light from the gods to illuminate the unknown, pushing boundaries with innovation and raw defiance. Others embody the wandering Odysseus, eternally searching, never content with a single home, driven by an insatiable curiosity.
The Artist at Work
The sculptor shaping the void into form might be akin to Hephaestus, forging beauty from fire and force, laboring in solitude with an intensity only a few can endure. The painter, working through visions that defy time and space, becomes an oracle. —bearing truths that may be ignored or misunderstood. The performance artist, pushing their body to the limits, calls upon Dionysus, reveling in ecstasy and sacrifice, where art and life dissolve into one great ritual.
My grandfather, Juan Ortega, was a master blacksmith.
In modern art, these pantheons are no longer bound to mythology alone. They emerge through digital spaces, urban landscapes, and cultural revolutions. The artist is a shaman, hacker, builder, destroyer, mystic, and seer. Each one plays a role in shaping the collective psyche of our time.
Whether aware of it or not, artists continue the work of mythmakers, and storytellers.
They invoke new gods, dismantle old ones, and weave narratives that define how we see ourselves. Their works are altars. Their studios are sanctuaries. And in every brushstroke, every chisel mark, each mold, every performance, the modern pantheon speaks—eternal, evolving, and alive.
